Sunday, 27 November 2016

Gone Too Far - Scriptwriter Facts

Bola Agbaje

  • Bola Agbaje was born in London. She briefly lived in Nigeria from the age of six to eight but now lives in Greenwich. She has a degree in media communications and was formerly an actress.
  • Her first play, Gone Too Far!, premièred at the Royal Court Theatre in London in February 2007 and won the Laurence Olivier Award for Outstanding Achievement in an Affiliated Theatre (2008).
  • Due to the play's success it was revived at a number of theatres in 2008: the Royal Court Theatre, Albany Theatre and Hackney Empire.
  • She adapted Gone too Far into a film script with development funding from the UK Film Council for a film of the same title.







Tuesday, 8 November 2016

Tutorial

To what extent are females represented as sex objects in reality TV shows such as ‘Love Island’?
…but still refer to ‘how’ in the essay itself.
  • ·         More research into reality TV – development, impact, reasons for popularity, etc.;
  • ·         Consider applying Baudrillard to reality TV;
  • ·         Books + academic research.

Sunday, 6 November 2016

Textual Analysis- 

I analysed the first episode of Love Island, I looked at bits from the first 20 minutes of the show.

The episode follows a documentary narrative, since the show is 24 hours condensed into 40 mins, viewers only get to see what the producer allows. The target audience would be 70% female and 30% male, C2DE wokring-class aged around 16-35+. In terms of psychographic groups, this show would appeal to mainstreamers, explorers and strugglers. This is due to the colloquial language used, e.g. swearing etc. therefore this type of audience would be familiar with it.

The episode starts with close-ups/medium shots of the villa and these shots also show the arms and legs of a women which already objectifies women as they're using these close-ups to potentially attract a male audience. The episode consists of continuity editing. There is a voice-over of a women who appears to be the host of the show, this sound is non-diegetic as we can't see her speaking directly to the camera. There is also non-diegetic music being played alongside the voice-over which is parallel as it sounds very sexual which fits with the nature of the show. The host says: "It's a beautiful villa for beautiful people.", this comment is controversial as the aim of the show is to bring in people from the public and this comment makes us imply that the producers of the show are  specifically looking for: "some sexy singles" which was another comment made by the host. This further emphasises that the show is merely concerned about the appearance of the people within the show. 

After the shots of the villa and the host, there is a medium shot of a boy and girl in bed half naked which gives the impression that they have been engaging in sexual activities which then reveals that the show is not only about "sexy" people but also about sex. There is also a long shot of a girl working in the office surrounded only by men and then she gets up, strips into just a bikini and walks off while the men just look at her in approval. This relates to Mulveys theory  about the male gaze as it appears that the woman is presented just to look at. This scene also relates to Perkins theory about stereotyping being partly true as she is in an office working however she is only acknowledged for her sexuality and beauty therefore portraying her as a sex object. Also, according to Marxism, The sexist representation of women in the media, advertising and popular culture is no longer limited to the presentation of women as dutiful wives and mothers. It now encourages women to be seen, and aspire to be seen, as sexually available and attractive to men at all times. At work, women continue to earn less than men and tend to be concentrated in lower paid, female-dominated and highly casualised industries and jobs. 

The opening scene introduces the contestants of the show and they are all good looking, fitting the dominant reading of the show being for "beautiful people". This is shown through close-up shots of abs, medium shots of male contestants working out, girls in bikinis just lying down and then there is a close-up which zooms out into a medium shot of a the contestants kissing. This sequel scene sums up the dominant reading of the show being simply about attractive people coming on a show to find love, aka engaging in sexual activities. The host once again confirms this reading by saying; "lets meet the group of gorgeous young singles". 

The female contestants arrive wearing bikinis which is followed by close-ups of their bodies to potentially attract a male audience due to the male gaze. The first contestant is Miss Great Britain and instead of talking about her career in order to be an inspiration to the younger girls watching, she chooses to talk about her assets: "my boobs are real, 32 DD". This portrays her as a sex object and according to the hypodermic needle model, this representation of is injecting information into young females and also young males that a women is merely acknowledged due to her physical appearance. This is damaging and rises concern for moral panic as younger females begin to feel insecure about the way they look and also aim to have this 'perfect body' that the females on this show all have and show off in bikinis majority of the time in the show. Feminists have spoken out against the objectification and stereotyes of women and male domination of society/patriarchy.They also argue that sexual objectification can lead to negative psychological effects including eating disorders, depression and sexual dysfunction, and can give women negative self-images because of the belief that their intelligence and competence are currently not being, nor will ever be, acknowledged by society. Additionally, young male audiences also may be injected with the idea that a woman is merely beneficial due to her sexuality. This is also a moral panic as men objectify women.

There is many binary oppositions visible in this scene, the first would be 'men vs women' and 'masculinity vs femininity'. This is shown as the female contestants stand in a line while the men come in one by one. You can tell from some of the female contestants body language that they are trying to gain the attention of the male contestants and they do this by standing in a seductive manor. The female contestants have to stand forward if they like the way the guy looks but ultimately, the male contestant gets to pick one. This is objectifying them along with making the men seem superior to them since they are the ones picking and not the girls. This relates to Levi-Strauss's theory that representations are formed by ideology and in this case, the producer clearly holds the view that men are dominant and emphasises on patriarchy as they are picking girls as though they are an item in a shop or an object. This also relates to Medhurst's theory of using stereotypes to tell the audience that men hold dominance while women are subordinate. One of the female contestants is not chosen by any of the boys and is paired up with a guy she didn't like which is obvious through her facial expression which shows distress, this relates to Katz and Blumlers uses and gratifications theory of personal identity. In this case, young females could see themselves being reflected as they may also experience rejection. Finding themselves reflected in texts and learning behaviour could also produce negative role models for young girls.

The genre of the show is reality TV therefore in terms of the uses and gratifications theory, diversion means that it is a escape from everyday problems and personal Relationships means that they use reality TV shows like Love Island for emotional interaction. The show is produced by ITV and is featured after the 'watershed' due to its age rating since it contains swearing and sex. Having the show feature after the watershed is significant since it allows the show to explore mature themes without too much regulation. However, an article by daily mail focuses on two contestants who have sex before the lights go off infront of other housemates who then applaud.  Malin Andersson and Terry Walsh couldn't be bothered to wait until the lights were off and decided to get intimate with an audience. Viewers couldn't hide their disgust at the public sex antics on the ITV2 show, Ofcom said they had received 10 complaints during the current series of Love Island, relating to swearing, glamorisation of smoking and inappropriate sexual activity. Similarly,  ITV's Love Island was investigated by the television watchdog over complaints about a sex scene involving two contestants which was broadcast just 10 minutes after the watershed. Ofcom launched an investigation after eight viewers complained.

The representation is accurate in some aspects due to the fact that female celebrities usually exploit themselves in the sense that they dress quite revealingly or openly engage in sexual relationships and since its a reality TV show its expected since similar behaviour is seen on other shows, e.g. Geordie Shore, Towie, Big Brother etc. However, the female contestants are members of the public but they still visually look like celebrities. On the other hand, the representation isn't fair as its producing a wrong role model for girls to look up to. Younger females watching the show will assume that in order to gain attention they need to look/dress a certain way. Some of the main themes in the show is that in order to be with someone you have to be willing to engage in sexual activities, its acceptable for a man to have sex with more than one women however when a women does shes spoken about and another major value in this text makes the audience assume that relationships are all about sex, being physically attractive and having trust issues. 




Tuesday, 1 November 2016

Notes and Quotes

Articles:

 

Huffpost Entertainment- ‘Love Island’ Is a Lesson in Why We Deserve Better from Reality TV In 2016

 

·         “As they attempted to couple up, the girls were lined up (in bikinis, obv) for the boys to pick from like slabs of meat on an oestrogen buffet.”
·         “The concept of being a gentleman has been lost on this lot, who spend their days cooped up in the villa either bragging about their sexual conquests or objectifying their female co-stars.”
·         “By putting men like this on TV, we’re not only teaching boys it’s ok to speak to women like this, but we’re also perpetuating the idea that women should ‘put out’ or face ridicule.”
Daily Mail- TV watchdog to investigate ITV's Love Island sex scene aired just ten minutes after watershed 
·         “Watching at home, viewers couldn't hide their disgust at the public sex antics on the ITV2 show. One tweeted: 'Love Island legit makes me feel sick. How you gunna be having sex with people watching and saying stuff about sexual positions. wtaf.'”
·         “Another contestant, former Miss Great Britain Zara Holland, 20, was stripped of her title after romping with cast mate Alex Bowen on the show. She had her crown revoked by organisers for her 'disappointing' behaviour.”

Forbes- What Reality TV Is Doing To Women

http://www.forbes.com/sites/worldviews/2012/04/20/what-reality-tv-is-doing-to-women/#7b39cfcd719f

·         “Women might have an even tougher time, especially moms who may try to get their teenage daughters to refrain from being objectified.”

The Huffington Post- What Has Reality TV Done to Young Women?

 

http://www.huffingtonpost.com/ashley-bush-and-raphaela-sapire/reality-tv_b_1916603.html

 

·         “Among girls who watch reality TV, 72% say they spend a lot of time on their appearance”

·         “Rather than seeing examples of what women can become — a scientist, a vineyard owner, a chef — girls and young women are watching examples of females as teen moms, housewives or socialites (Kardashians).”

·         “Until there are women who tell her, ignore our pop culture obsession over beauty and fashion... she’ll think those are the only things that girls are supposed to care about.”- President Obama

 

Newsweek- THE PROBLEM WITH WOMEN ON REALITY TV

 

http://europe.newsweek.com/problem-women-reality-tv-69809?rm=eu

 

·         “And you’d understand that women were put on this earth to compete for male attention—when, of course, they’re not busy pulling each other’s hair out or lounging half naked in a hot tub.”

·         “The portrayal of women doesn’t just reflect outdated stereotypes—it resurrects them.” 

·         “If we start to believe what these shows tell us, which is that women are stupid, incompetent, and can only succeed by using their sexuality to get ahead.”

 

Vanderbilt (feminism and film) - Representations of Women in Reality TV

 

https://my.vanderbilt.edu/wgs272/2013/04/representations-of-women-in-reality-tv/

 

·         “The casualness with which men joke about objectifying women and how ingrained and accepted it is culturally parallels the even more serious case of rape jokes.”

·         “Boys will be boys” is an idea that many have been socialized into believing. It serves as an excuse for men to look at/talk about women in a sexual way. It has been internalized by both me and women.” 

 

Chelssrep- How Are Women Represented In Reality TV Programmes? 

https://chelsssrep.wordpress.com/2011/11/21/case-study-so-far/

·         “When it comes to men, the women become naïve, this is the similarity between the girls in both reality TV programmes. This supports hegemony that women should be beautiful and take care of their appearance.”

·         “Stacey suggests that stereotypes can be good and being able to represent women to be the same in reality makes it easier to stereotype these people to the particular place that these women are from.”

Daily Star- 'Women like to have sex' Love Island Sophie hits out at Miss GB for Zara de-crowning

 

http://www.dailystar.co.uk/showbiz-tv/hot-tv/524739/Love-Island-Sophie-defends-Zara-Miss-GB-decrowning

 

·         "Life shouldn’t be about judging one another. Say, for example, judging a young woman for enjoying herself. A young woman who hasn’t harmed anyone, but a woman who has faced a torrent of judgemental and closed-minded opinions since leaving Love Island. As an ex Miss Newcastle and Miss GB, I can say that it’s time people move forward from their old-fashioned thinking and accept the simple fact that... women like to have sex!"
·         The pageant organisers said: "The feedback we have received from pageant insiders and members of the general public is such that we cannot promote Zara as a positive role model moving forward.

The Artifice- Stereotyped: Women in Reality TV

http://the-artifice.com/sterotyped-women-in-reality-tv/

·         “Women are often presented as dependent and subordinate as well as dim-witted and vain.”

·         “Apart from being depicted as passive and weak, women are generally much younger and more physically attractive than their male counterparts, displaying them as sex symbols.”

·         “There is also a prominent theme in reality television that confines women to a home setting which renders that the main female roles exist inside the home.”

·         “Women are often judged against men whom serve as the norm in television and in society.”

·         “Women are valued simply for their relationships with men which becomes a chauvinistic motif throughout reality television.” 

·         “Kim Kardashian was only noticed due to her publicly leaked sexual intercourse stunt with musical act Ray J. Before this she was just another young woman, which only further promotes the over-sexualized nature of women in television and the need to flaunt ones physical attributes in order to get noticed.”

·         The Real Housewives- “The wives in the program are always dressed to the nines and made up heavily, adorned in expensive jewels and sporting designer shoes. This makes them seem almost as if they are dolls or toys; property that their husbands dress up.”

·         “These shows not only culturally signify that subordination is acceptable, but they promote the embodiment of the media’s version of attractive; tall, thin and beautiful.”

·         “Over forty percent of prime time reality television programs are sexually oriented.”

·         “The increasing sexual connotation of reality programs displays a cultural message to viewers that it is appropriate to over-sexualize your lifestyle as well as revolve the majority of your life around dating and intimacy.”

·         “Teens and adolescents who regularly view sexually or romantically themed reality shows are more likely to endorse traditional gender roles and stereotypes. These traditional roles limit women to the home and the caring for of children and allow men to be the bread winners.” 

·         “Not only do reality television programs relay the appropriateness of the confinement of women, but they also promote over-sexual attitudes in teens and young adults.”

Reality TV—The real effects of Gender Stereotypes in the media on our girls self-esteem

 

http://selfesteem.dove.co.uk/Articles/Written/Reality_TV_The_real_effects_of_Gender_Stereotypes_in_the_media_on_our_girls_self_esteem.aspx

 

 

·         “They offer such a limited view of what it is to be a woman, and all over the world young girls are lapping it up,” he says. “I’m thinking of programmes… where all the women talk about is their looks and their clothes. It focuses on the lives of beautiful women who spend a lot of money on themselves – and that’s just not the real world.” 

 

Women as Sexual Objects and Victims

·         “The sexualisation of women is related to the development of eating disorders, low self-esteem, depression, and negative feelings regarding sexuality.”
·         “When men view images of sexually objectified women, it has been shown to increase men’s acceptance of rape myths, interpersonal violence, and gender role stereotyping.”

Blog- My Love Hate Relationship with Women in Reality TV

 

http://blogs.psychcentral.com/diary-therapist/2014/07/my-love-hate-relationship-with-women-in-reality-tv/

 

·         “Shows like “The Bachelor” showcase a regressive view of relationships by allowing women to compete for a relationship and saying “pick me, pick me” in hopes that they are chosen by the bachelor. From the slut, the airhead, the backstabber, and the Angry Black women often portrayed, the type of behaviour portrayed on reality television has set the feminist movement back at least 30 years!”

 

The Girls Of Geordie Shore: Unlikely Paragons Of Sex Positivity


  • “We exist in world where we are told to fear or be ashamed of our bodies, rather than enjoying them. And somehow the Geordie women have unlearned this — and thus, in their small way, helped feminism.”

University papers:

Iowa State University- Portrayals of women in prime time reality TV programs

http://lib.dr.iastate.edu/cgi/viewcontent.cgi?article=2395&context=rtd

·         “Studies have shown that women have been underrepresented and stereotyped in TV programs.”

·         “Throughout the decades, TV has depicted females by focusing on their physical characteristics, sexual appeal, and romantic success, whether they are housewives, mothers, or objects of desire”

Eastern Kentucky University- Reality television and its impact on women’s body image

http://encompass.eku.edu/cgi/viewcontent.cgi?article=1049&context=etd

·         “Research has indicated that body dissatisfaction can be seen in studies with girls as young as six years old”

·         “A cultural ideal of thinness for women, which is well below the average weight of women in that culture, directly causes body dissatisfaction at a higher rate among women than men”

·         “A study found that for girls their ideal figure was thinner than they were and that their ideal figure was also thinner than what boys indicated that they liked. Boys showed no desire to be thinner”

·         “A study found that girls who watched more appearance focused television shows were less satisfied with the way they looked. Results also indicated that girls who had more discussions with their peers about celebrities and what they looked like had more of a desire to be thinner.”

Videos:

Reality TV and Women's Self Esteem

https://www.youtube.com/watch?v=tdAuOYB8dUI

·         “You are told in reality TV that no quality about women is worth anything other than her beauty, that she has no access to power other than her beauty”

 

The Problem With Women on Reality TV

https://www.youtube.com/watch?v=kF4HpBmIPXc

·         “The portrayal of women in reality TV is not realistic.”

 

Bibliography
Books:


Hooks, B. (2000). Feminism is for everybody: Passionate politics. Cambridge, MA: South End Press.

Gauntlett, D. (2002). Media, gender, and identity: An introduction. London: Routledge.

Dubrofsky, R. E. (2011). The surveillance of women on reality television: watching The bachelor and the bachelorette. Lanham, MD: Lexington Books.  
Tasker, Y. (1998). Working girls: Gender and sexuality in popular cinema. London: Routledge.
Pozner, J. L. (2010). Reality bites back: the troubling truth about guilty pleasure TV. Berkeley, CA: Seal Press.

Ziesler, A. (2008). Feminism and pop culture. Berkeley, CA: Seal Press.

Hollows, J. (2000). Feminism, femininity, and popular culture. Manchester, U.K.: Manchester University Press.Lieb, K. (2013). 

Ward, J. R. (2015). Real sister: stereotypes, respectability, and black women in reality tv. New Brunswick, NJ: Rutgers University Press.

Worell, J. (2001). Encyclopedia of women and gender: Sex similarities and differences and the impact of society on gender. San Diego, CA: Academic Press

Fourie, P. J. (2007). Media studies Media History, Media and Society. Cape Town: Juta and Company.


Gaither, G. A. (2012). Pornland: How Porn Has Hijacked Our Sexuality. Journal of Sex & Marital Therapy.

Tuesday, 11 October 2016

Debbie Klein

Who is Debbie Klein?
The CEO of Engine, a media company that covers digital communications, advertising, direct marketing, data, public relations, brand consultancy and sponsorship. She was a founding partner in the buyout of WCRS in 2004 that eventually led to the creation of the Engine Group. 

What has she achieved?

She took charge of WCRS a year later, and ran the agency for three years before moving on to become Chief Executive of Engine Europe in June 2008. During this time she has welcomed a number of new companies into the group, with head count now numbering more than 850 in the UK alone. They have produced campaigns for a wide range of companies and organisations including Sky, Nestle, Coca-Cola, Warburtons, Unilever, Toshiba, Lexus and The Royal Navy.

What are her views on the impact of NDM on advertising?
She says that The last twenty years have been an challenging time for the media industry because of the emergence of the world wide web, the linking of the every home, and then every mobile phone – and now every TV and car – to the internet, and of course the rise of social media, turning everyone into publishers and creators.


What percentage of the advertising industry is female?
There are very few female creative directors making the adverts that women see. In 2008, just 3.6% of the world’s creative directors were female. Since then it has tripled to 11%; in London.  91% of female consumers feel advertisers don’t understand them. Seven in 10 women go further to say they feel “alienated” by advertising. Men overwhelmingly dominate creative departments and their output, which can’t be good for creativity, audiences or the way adland solves business issues.

What percentage of the advertising industry is an ethnic minority?
Actors from black, Asian or other ethnic minority groups appeared in only 5% of the almost 35,000 TV ads screened in the UK last year, according to a report. 

Who are millenials?
In October 2004, researchers Neil Howe and William Strauss called Millennials "the next great generation," which is funny. They define the group as "as those born in 1982 and approximately the 20 years thereafter." 

Why are they hard to reach for advertisers?
 Millennials are a big and extremely lucrative market, representing one fourth of the entire US population and over $200 billion in spending power.
The bad news is that it’s hard to get millennials’ attention, and traditional advertising no longer works on this generation due to the advances of technology.
What is your favourite online advertising campaign? Why?
My favourite online advertising campaign is Buzzfeed as it is interesting and also mentions celebrity gossip. Furthermore, it is acessible easily on snapchat which I use often.

Tuesday, 4 October 2016

Critical Investigation: Project proposal



Working title


To what extent are females represented as sex objects in reality TV shows such as ‘Love Island’?

Angle

What impact are these objectified representations of women having on female audiences? Is this an example of negative role models?

Hypothesis

Reality TV shows are not a good influence for young female audiences as they may assume that they need to replicate their actions and live up to their physical appearances. 

Linked production piece

Music Video- work with Alayna&Ria

MIGRAIN

  • Documentary genre- Reality TV .
  • Women are being represented as sex objects- reinforcing female stereotypes
  • The show was created by ITV and produced by ITV Studios
  • Scheduling: aired at 9pm, after the watershed. 
  • Targeted at mainstreamers, C2DE working class, 16-30+. 70% females/ 30% males
  • The show carries out a linear narrative
  • Editing plays a key role within the narrative because they have to cut down 24 hours into 40 minutes
  • Dominant ideology- men having authority over women- sex objects/patriarchy/feminism
  • Love- makes you value your significant other
  • Relationships- trust issues, boyfriend/girlfriend
  • Sex- in order to be with someone you have to be willing to engage in sexual activities, its acceptable for a man to have sex with more than one women however when a women does shes spoken about 
  • Conveys the dominant stereotype of women in reality tv
  • Denotation: girl in a bikini - Connotation: sexually exploited, showing off their body, 
  • Denotation: smoking - Connotation: bad health, dangerous, not classy
  • Denotation: sex - Connotation: sexual relationship, love, boyfriend/girlfriend
  • Denotation: boy working out - Connotation: showing off their body, getting female attention



SHEP

Social:


  • audiences are now more excepting of the content produced by explicit music videos
  • we are now socialised to except these norms and values surrounding women and their sexuality.    
  • feminism has contributed to this social change as it has meant that women are now considered men's equal and therefore women are liberated and empowered by their sexuality 

Historical:
  • before it was seen as disgraceful to embrace your sexuality as a woman
  • the gaining of rights for women has meant that they are now seen as equal 
  • studies of gender roles on prime time programs suggest that women in the 1980s were portrayed as working individuals. Still under-represented in prime time shows in the 1990s, they appeared to hold lower status positions than men. During that decade, women were portrayed as having a greater focus on domestic issues. 
Economic:
  • media is a product at the end of the day and women are used to sell that product 
  • women's earnings- they are still payed less than men 
  • media institutions 

Political: 
  • laws have been passed to help women gain rights, however, that doesn't mean that women in society are seen or treated equally, despite the laws that have been passed 
  • the feminism movement has contributed to the change in laws and has enabled women to be empowered by their sexuality 



Issues/Debates

Representation and stereotyping:
Studies have shown that women have been underrepresented and stereotyped in TV programs. The representation on Love Island is accurate in some aspects due to the fact that female celebrities usually exploit themselves in the sense that they dress quite revealingly or openly engage in sexual relationships and since its a reality TV show its expected since similar behaviour is seen on other shows, e.g. Geordie Shore, Towie, Big Brother etc. The major values in this text make the audience assume that relationships are all about sex, being physically attractive and having trust issues. There is also friendship values shown which show the contestants being fake to one another and not being loyal.

Reality TV:
In reality TV women presented as dependent and subordinate to men, as well as vain. The women are generally young and physically attractive displaying them as sex symbols.This stereotype is not only confining but offensive to female progress. Women are also judged against men who serve as the norm in television and society. This is seen on the show Love Island when fellow contestant Zara Holland was stripped of her Miss GB title after having sex on-screen.



Moral Panics:
Feminists who oppose sexual objectification are generating a "moral panic".Feminists who organise against pornification are not arguing that sexualised images of women cause moral decay; rather that they perpetuate myths of women's unconditional sexual availability and object status, and thus undermine women's rights to sexual autonomy, physical safety and economic and social equality. The harm done to women is not a moral harm but a political one



Ownership and control:
ITV determine what they broadcast on their platform therefore meaning that they control the way women are being stereotyped in reality TV shows they produce. Rather than subverting these stereotypes they are reinforcing them in shows such as Love Island where women are being represented as sex objects, they are all standing in a line wearing bikinis while single men look at them and pick one. This is objectifying them along with making the men seem superior to them since they are the ones picking and not the girls. Furthermore, throughout the show the male contestants only speak about engaging into sexual activities with the female contestants which once again portrays them as sex objects. 




Theories

Marxism:
The sexist representation of women in the media, advertising and popular culture is no longer limited to the presentation of women as dutiful wives and mothers. It now encourages women to be seen, and aspire to be seen, as sexually available and attractive to men at all times. At work, women continue to earn less than men and tend to be concentrated in lower paid, female-dominated and highly casualised industries and jobs. In no small part because of this, women continue to be more likely to be the primary carers of children, dependent at least in part on the wages of male (and less often female) partners or struggling to make ends meet as single parents.

Feminism:
Feminists have spoken out against the objectification and stereotyes of women and male domination of society/patriarchy.They also argue that sexual objectification can lead to negative psychological effects including eating disorders, depression and sexual dysfunction, and can give women negative self-images because of the belief that their intelligence and competence are currently not being, nor will ever be, acknowledged by society. Some have argued that the feminist movement itself has contributed to the problem of the sexual objectification of women by pushing for an end to the so-called oppressive patriarchal 


Theories:
The Male Gaze- Laura Mulvey: 
Mulvey claimed that women are turned into sex objects through how they are shot in the media. By showing only body parts they are turned into objects for male pleasure. She called this fragmentation that leads to objectification.

Hypodermic Needle Model:
Younger girls may be influenced by the content they see on reality TV which could manipulate them.

Uses and Gratifications:
Diversion: escape from everyday problems
Personal Relationships: using reality TV for emotional interaction
Personal Identity: finding themselves reflected in texts and learning behaviour- (negative role models for young girls)


Main stereotypes of women:
  • the dumb blonde
  • the bitch
  • the mother
  • the housewife
  • the femme fatale
  • the cougar


Research plan (media texts, academic texts and websites)

Media texts
Love Island 

Other media texts
Geordie Shore
Celebrity Big Brother
Power
Americas Next Top Model
The Real Housewives



TV documentaries

-Reality Television: Portrayal of Women and Beauty

-Reality TV and Women's Self Esteem


Academic texts/books
  • The Surveillance of Women on Reality Television: Watching The Bachelor and The Bachelorette (Critical Studies in Television) by Rachel E. Dubrofsky

  • Reality Bites Back: The Troubling Truth About Guilty Pleasure TV by Jennifer L. Pozne

  • Feminism and Pop Culture: Seal Studies by Andi Ziesler
  • Better Living Through Reality TV: Television and Post-Welfare Citizenship by Laurrie Ouelette and James Hay
  • Real Sister: Stereotypes, Respectability, and Black Women in Reality TV by Jervette R. Ward


Internet Links

Articles: